---
title: Openings that hook the reader — how Mova does on the tests · English
description: Lesson 40 of the english course of Mova's primary school: 2 of 11 tests right, exam 2 of 4, every question with the options, the student's choice, the right answer and why it chose.
---

<!-- md -->
[Mova](https://md.mova.elamur.ai/free/en/) · [this page in HTML](https://mova.elamur.ai/free/en/school-run/english/40-openings-that-hook-the-reader/)

<!-- crumbs -->
[home](https://md.mova.elamur.ai/free/en/) / [at school](https://md.mova.elamur.ai/free/en/school-run/) / [English](https://md.mova.elamur.ai/free/en/school-run/english/) / 40

# Openings that hook the reader

<!-- .vintro -->
**Tests:** 2 of 11 right · **Exam:** 2 of 4 right · **Kind:** ★ · **Understood:** 6 of 15 · **Run:** 2026-10-18, commit `f3c23ea72`

<!-- .vabout -->
Lesson 40 of the english course of Mova's primary school, as Mova's small model took its tests: it had read this lesson and the ones before it and learned from their exercises. Each test shows the options in the order the student saw them, its choice, the right answer, the score of every option and why it chose. The lesson itself, sentence by sentence with trees and pragmatics: [the lesson in the corpora](https://md.mova.elamur.ai/free/en/corpora/school/english/40-openings-that-hook-the-reader/).

<!-- .vabout -->
Every question of this lesson and each of its options parsed by Mova, with trees and pragmatics: [the lesson's questions in the corpora](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/).

<!-- div qa no -->

### Test 1 · ★ · wrong ✗ {#t1}

<!-- .q -->
Your mate goes "first line don't matter, the teacher reads it all anyway, innit." What is the truth?

- **1.** The first line is the least important part of a story — no support
- **2.** Only the title matters to readers, never the words — no support
- **3.** Teachers never read past the first line of anything — **← Mova's choice** · score 9
- **4.** Real readers decide early whether to go on — **✓ the right answer** · score 2

<!-- .why -->
**Why:** It took the question to ask what it is done to. It chose option 3 with score 9, against 2 for the next best. Its support: lesson 38, line 4: «So when a teacher writes "we were" over "we was", she is not saying Kai's family talks wrong; she is handing him a second tool, the way a footballer has home k…», reached through the remembered sentence the question matched. What matched: the same action «say» (+6); the same doer «teacher» (+3). The right option, 4, scored 2. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t1/)

<!-- /div -->

<!-- div qa no -->

### Test 2 · ★ · wrong ✗ {#t2}

<!-- .q -->
★★★ Which opening makes the reader ask the most questions?

- **1.** This is a story about a door that was in a house. — **← Mova's choice** · no support
- **2.** My name is Sam and I am nine and I like dogs a lot. — no support
- **3.** It was a sunny day and I went to the park with my mum. — no support
- **4.** Nobody had opened the red door in fifty years, until today. — **✓ the right answer** · no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t2/)

<!-- /div -->

<!-- div qa no -->

### Test 3 · ★ · wrong ✗ {#t3}

<!-- .q -->
In a cartoon, a book's first page is just "Blah blah blah, the end." What would a writing teacher say?

- **1.** Books should only have one page — **← Mova's choice** · no support
- **2.** It is perfect because it is short — no support
- **3.** It needs a hook and a real story — **✓ the right answer** · no support
- **4.** It needs more blahs to be funny — no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t3/)

<!-- /div -->

<!-- div qa no -->

### Test 4 · ★ · wrong ✗ {#t4}

<!-- .q -->
What would happen if every story in your class began "Once upon a time"?

- **1.** The stories would hook every reader much more — no support
- **2.** Every single story would turn into a fairy tale — no support
- **3.** The openings would all feel the same and dull — **✓ the right answer** · no support
- **4.** Nothing, because openings never matter at all — **← Mova's choice** · score 2

<!-- .why -->
**Why:** It took the question to ask what happens next. It chose option 4 with score 2, the only option with support. Its support: lesson 40, line 14: «An ending where everything was a dream is a well-known cliché that makes the story feel as if it did not matter.», reached through what followed the sentence the question matched. What matched: the same action «matter» (+4). Against it: a different doer (counts against) (-2). The right option, 3, found no support in what it remembers. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t4/)

<!-- /div -->

<!-- div qa no -->

### Test 5 · ★ · wrong ✗ {#t5}

<!-- .q -->
A girl in Boston says "That first line is wicked good." ("Wicked" means very in New England.) Which line might she mean?

- **1.** This is my story. — **← Mova's choice** · no support
- **2.** I woke up and had my breakfast and went to school. — no support
- **3.** The phone rang at midnight, but nobody in the house owned a phone. — **✓ the right answer** · no support
- **4.** Once upon a time there was a boy. — no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t5/)

<!-- /div -->

<!-- div qa no -->

### Test 6 · ★ · wrong ✗ {#t6}

<!-- .q -->
★★★ Ava writes "Splash! Freezing water filled my wellies." Her ending is "I got home and had a bath." Which ending matches the opening better?

- **1.** The end, thanks for reading my story about stuff. — no support
- **2.** Then we had chips for tea. — no support
- **3.** And then I woke up and it was all a dream. — **← Mova's choice** · score 5
- **4.** I never went near that river in wellies again. — **✓ the right answer** · no support

<!-- .why -->
**Why:** It took the question to ask who or what does it. It chose option 3 with score 5, the only option with support. Its support: lesson 40, line 15: «A good ending answers the problem set up at the start.», reached through the option's own match among the sentences about the question's things. What matched: the same thing acted on «problem» (+2); it fills the role the question asks for (+2); the same doer «good ending» (+1). The right option, 4, found no support in what it remembers. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t6/)

<!-- /div -->

<!-- div qa no -->

### Test 7 · ★ · wrong ✗ {#t7}

<!-- .q -->
Your brother, dead sarcastic: "Wow, 'It was a dark and stormy night'. So original." What is he hinting?

- **1.** The opening is too long — **← Mova's choice** · no support
- **2.** The opening is very fresh — no support
- **3.** The opening is a question — no support
- **4.** The opening is a cliché — **✓ the right answer** · no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t7/)

<!-- /div -->

<!-- div qa no -->

### Test 8 · ★ · wrong ✗ {#t8}

<!-- .q -->
A lad in Cork says "Yer man's story starts with a dragon and never has one again." ("Yer man" means that fella.) What is wrong?

- **1.** Nothing, any hook at all is fine to use — no support
- **2.** Dragons are banned in all school stories — no support
- **3.** The hook doesn't belong to the story — **✓ the right answer** · score 0
- **4.** Stories need at least two dragons to work — **← Mova's choice** · score 3

<!-- .why -->
**Why:** It took the question to ask which statement is true. It chose option 4 with score 3, against 0 for the next best. Its support: lesson 40, line 13: «Fairy-tale openings like "Once upon a time" suit fairy tales, but other stories usually need a sharper first line.», reached through the remembered sentence the question matched. What matched: the same action «need» (+5); the same doer «other stories» (+1). Against it: a different thing acted on (counts against) (-3). The right option, 3, scored 0. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t8/)

<!-- /div -->

<!-- div qa ok -->

### Test 9 · ★ · right ✓ {#t9}

<!-- .q -->
★★★ Which non-fiction opening is a surprising fact?

- **1.** A blue whale's heart is as big as a small car. — **← Mova's choice** · **✓ the right answer** · no support
- **2.** I like whales very much, they are my favourite. — no support
- **3.** Whales are large animals that live in the sea. — no support
- **4.** Here is my report on whales. — no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t9/)

<!-- /div -->

<!-- div qa ok -->

### Test 10 · ★ · right ✓ {#t10}

<!-- .q -->
A Gen Z cousin says "Starting with the plot twist is lowkey iconic." ("Lowkey" means a bit secretly, "iconic" means amazing.) What technique is that?

- **1.** Starting in the middle of the action — **← Mova's choice** · **✓ the right answer** · no support
- **2.** Starting with "Dear diary" and the date — no support
- **3.** Starting with a fairy-tale line — no support
- **4.** Starting with a long list of the weather — no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t10/)

<!-- /div -->

<!-- div qa no -->

### Test 11 · ★ · wrong ✗ {#t11}

<!-- .q -->
Which opening uses speech as a hook?

- **1.** Gran had a box. — no support
- **2.** The box was on the table in Gran's kitchen. — no support
- **3.** It was a Tuesday. — **← Mova's choice** · score 6
- **4.** "Don't open that box," whispered Gran. — **✓ the right answer** · score 6

<!-- .why -->
**Why:** It took the question to ask who or what does it. It chose option 3 with score 6, tied with another option at 6 (the first shown, or the one claiming less beyond what it knows, wins). Its support: lesson 40, line 6: «A hook is an opening that makes the reader want to read on; many readers decide in the first few lines whether to keep going.», reached through the same lesson line as the sentence the question matched. What matched: it fills the role the question asks for (+4); the same doer «opening» (+3). Against it: a different thing acted on (counts against) (-1). The right option, 4, scored 6. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/t11/)

<!-- /div -->

<!-- div qa ok -->

### Exam question 1 · formal language · right ✓ {#e1}

<!-- .q -->
Identify the principal function of the opening sentence of a narrative.

- **1.** To engage the reader so that they continue reading — **← Mova's choice** · **✓ the right answer** · no support
- **2.** To provide the date of the composition — no support
- **3.** To state the conclusion of the narrative in advance — no support
- **4.** To list all the characters who subsequently appear — no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/e1/)

<!-- /div -->

<!-- div qa ok -->

### Exam question 2 · formal language · right ✓ {#e2}

<!-- .q -->
Which of the following most accurately characterises the phrase "It was a dark and stormy night" in contemporary teaching?

- **1.** A question designed to engage the reader — no support
- **2.** A cliché, owing to excessive use — **← Mova's choice** · **✓ the right answer** · score 7
- **3.** An example of the passive voice — no support
- **4.** A model opening for all narratives — no support

<!-- .why -->
**Why:** It took the question to ask who or what does it. It chose option 2 with score 7, the only option with support. Its support: lesson 40, line 12: «A cliché is a phrase used so often that it has lost its power, such as "It was a dark and stormy night".», reached through the same lesson line as the sentence the question matched. What matched: it fills the role the question asks for (+4); the same doer «cliché» (+3). · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/e2/)

<!-- /div -->

<!-- div qa no -->

### Exam question 3 · formal language · wrong ✗ {#e3}

<!-- .q -->
Select the opening consistent with the technique of commencing in the middle of the action.

- **1.** Once upon a time there lived a girl. — **← Mova's choice** · no support
- **2.** Ola was born in Norway in a cold town. — no support
- **3.** The ice cracked beneath Ola's feet. — **✓ the right answer** · no support
- **4.** This narrative concerns a girl named Ola. — no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/e3/)

<!-- /div -->

<!-- div qa no -->

### Exam question 4 · formal language · wrong ✗ {#e4}

<!-- .q -->
Ascertain the principal objection to an ending in which events are revealed to have been a dream.

- **1.** It is excessively long and tedious in all instances — **← Mova's choice** · no support
- **2.** It renders the preceding events without consequence — **✓ the right answer** · no support
- **3.** It is prohibited in all examinations — no support
- **4.** It contains no punctuation of any kind whatsoever — no support

<!-- .why -->
**Why:** No option found support in what it remembers, so it guessed: it took the first option shown. · [the question and its options parsed, with trees and pragmatics](https://md.mova.elamur.ai/free/en/corpora/questions/english/40-openings-that-hook-the-reader/e4/)

<!-- /div -->

<!-- pn -->
- ← previous: [39. Planning before writing](https://md.mova.elamur.ai/free/en/school-run/english/39-planning-before-writing/)
- next →: [41. Describing: senses, showing and precise words](https://md.mova.elamur.ai/free/en/school-run/english/41-describing-senses-showing-and-precise-words/)
- ↑ back to [English](https://md.mova.elamur.ai/free/en/school-run/english/)

